Shakespearean CriticismMichele Lee Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 128
... writing of Lucrece's letter is thus presented as specific issue of Lucrece's writing block ; it is a writing " let " that writes her " letter , " spot- ting it with " blots " of " will . " " If it seems too much to say that ...
... writing of Lucrece's letter is thus presented as specific issue of Lucrece's writing block ; it is a writing " let " that writes her " letter , " spot- ting it with " blots " of " will . " " If it seems too much to say that ...
Page 135
... writing of two criss - crossed literary letters . The question that remains , therefore , is why , for Collatine or Shakespeare , the writing of a letter is related to the registration of a name . Our reading of " The Rape of Lucrece ...
... writing of two criss - crossed literary letters . The question that remains , therefore , is why , for Collatine or Shakespeare , the writing of a letter is related to the registration of a name . Our reading of " The Rape of Lucrece ...
Page 136
... writing " ( " What wit sets down is blotted straight with Will " ) , but most of all it is because this reminds us that the name of Shakespeare is nothing but contingent.33 It is in this sense , as some- thing that occurs " Happ'ly ...
... writing " ( " What wit sets down is blotted straight with Will " ) , but most of all it is because this reminds us that the name of Shakespeare is nothing but contingent.33 It is in this sense , as some- thing that occurs " Happ'ly ...
Contents
Violence in Shakespeares Works | 1 |
The Rape of Lucrece | 77 |
Titus Andronicus | 169 |
Copyright | |
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