Shakespearean CriticismMichele Lee Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 119
Michele Lee. rhetorical question , to which he then responds with an equally and specifically rhetorical answer : Beauty itself doth of itself persuade The eyes of men without an orator ; What needeth then apology be made To set forth ...
Michele Lee. rhetorical question , to which he then responds with an equally and specifically rhetorical answer : Beauty itself doth of itself persuade The eyes of men without an orator ; What needeth then apology be made To set forth ...
Page 124
... rhetorical " cross " of the cross - coupler in so ostenta- tious a fashion that the chiastic content of the lines becomes the performative vehicle of their chiastic form , rather than the other way around . Again , for a rhetorically ...
... rhetorical " cross " of the cross - coupler in so ostenta- tious a fashion that the chiastic content of the lines becomes the performative vehicle of their chiastic form , rather than the other way around . Again , for a rhetorically ...
Page 125
... rhetorical produc- tion , even though this authorial agency is itself an effect of the way the poem rhetorically unfolds . Simi- larly , when an Elizabethan reader reads Lucrece's apos- trophe to Time and comes upon a couplet like : And ...
... rhetorical produc- tion , even though this authorial agency is itself an effect of the way the poem rhetorically unfolds . Simi- larly , when an Elizabethan reader reads Lucrece's apos- trophe to Time and comes upon a couplet like : And ...
Contents
Violence in Shakespeares Works | 1 |
The Rape of Lucrece | 77 |
Titus Andronicus | 169 |
Copyright | |
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