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vinegar or gall, it were worse than useless to conjecture.

"It is your own wish; I will not dispute it," he said humbly. "I am, in point of fact, responsible for the plan; I myself proposed it, and, indeed, it appears to be the only unraveling, save the convent, of this deplorable tangle. Of course I could always rescue you from the convent," he added hopefully and under his breath to Rosalba. The girl did not heed him; her eyes were fixed upon Peter Innocent, and she addressed that venerable prelate with the desperate courage of a suppliant.

"I am no more afraid of black magic than of white, Eminence. In the whole world there is only one thing of which I am afraid, and that thing is Virginio's fear. Let me suffer this ordeal, whatever it may prove, and live thereafter in peace and contentment with my beloved husband; this is all I ask."

"A sacrifice proffered in such tenderness cannot come amiss to the mercy of God." Peter Innocent put forth his veined, transparent hand in a gesture of reassurance, and Rosalba thanked him with a pale, but valiant, smile.

"I shall have a word to interpose in this matter," said Angelo Querini. "I do not believe in magic, either black or white; it is not rational, logical, or decent. I do not wish Rosalba to be mixed up in necromancy and kindred follies."

"I believe in magic, and that so religiously that I cannot countenance such practices as the chevalier proposes; the danger to a simple child like Rosalba is appalling. It is well enough, when I write of it, for the negress Smeraldina to be dipped into

a caldron of flame, emerging whiter than a clay pipe, but for this little firebird to be caught and frozen into lifelessness, that is another story altogether, too tragic for my perusal. Let us turn her into a fawn or a vixen or a tawny panther, and set her free forever."

Method of the Brothers Dubois

"There is a villa at Strà, upon the banks of the Brenta, whose aviaries contain eagles from the Apeninnes, and whose fenced inclosures hold captive a hundred stags, wild roe, and mountain goats. Do you believe, because the hornbeam is green and the myrtle fragrant, that these creatures are happy? Rosalba, enchanted into some savage form, would wound her bosom against thorny walls, and find herself a prisoner among invisible labyrinths. She would still be bound fast to Virginio, to run like a hound at his heel, or flutter falcon-wise to his wrist. This were no freedom, but a strange refinement of pain. Rather let her shrink into a china doll and have done with feeling than that she should assume wings prematurely broken or a hind's fleetness without liberty of heart!"

"You are an orator, M. de Chastelneuf; allow me to congratulate you upon your eloquence." Thus spoke the noble Angelo Querini, one time senator of the Republic of Venice. "It might, however, be employed in some worthier cause than the wilful deception of a young girl. We have none of us forgotten Madame von Wulfe and the cruel farce of Quérilinth."

"I thank you for the compliment, my dear Querini; your approbation is ever welcome. For the insult I forgive

you, even as I hope Madame von Wulfe has forgiven me. In the present matter I can have no motive other than altruism, and I assure you of my good faith. Nevertheless, it is for Rosalba to decide whether or no I now embark upon what must prove for all concerned a solemn and hazardous undertaking.”

"I wish it; I demand it," Rosalba answered firmly. "Desperate as the means must be, it is my only remedy for torment. I am prepared to incur the equivalent of death in order to achieve peace for Virginio."

"The child is one of God's elected angels!" cried Peter Innocent in awe. "If she should unhappily perish in this dark adventure, she must in common fairness be canonized. Meanwhile I wish I had her safe among the Poor Clares of Assisi; she is too saintly for this secular arena of mortal life."

"Nonsense! She is nothing of the sort; she is merely a luckless girl who loves a glass manikin instead of kind, consoling flesh and blood!" the chevalier retorted with sardonic insolence. It was plain that his own flesh and blood were racked and poisoned by revolt.

M. de Chastelneuf was very pale. His eyes were sunken in his head, and his face was ravaged like a starving man's. Yet, worn and sharpened and intolerably wrung, he still maintained, despite this betrayal of his body, a certain victory of spirit, a simple affair of courage, perhaps, and accustomed coolness against heavy odds. And again, it was plain that he did not suffer for himself alone.

"Above all, we must be practical," he said, recovering perfectly his manner of impudent composure. "There is a method-not my own, I may say,

but that of the celebrated Brothers Dubois, late of Vincennes-whereby young ladies are rendered harmless to the tranquillity of others and permanently deprived of their surplus emotions. Quite frankly, it is magic of a vehement and painful variety; the subject is ultimately transformed into fine porcelain, but the process is not agreeable, and the result, although miraculous, is somewhat inhuman. I have known fathers who submitted their daughters to the ordeal, husbands who forced it upon their wives, but never, until this hour, have I known a woman to desire the torture of her own free will. It is an agony more incisive than birth or dissolution; I dare not veil the circumstance with pity."

"And may a woman undergo this terrible ordeal and live?" Carlo Gozzi alone found voice, and that the thinnest whisper, to inquire.

"Yes, she may live, and flourish, and be fair and decorous and delightful." Chastelneuf ground his strong white teeth upon the words. "She may, to all appearances and outward seeming, remain a mortal woman; for aught I know to the contrary a purified soul may burn peacefully within the pretty fabric of her body. But-she will be porcelain; fine porcelain, remember, and no longer clay. In a porcelain vessel filled with clear water, a rose may live for a little while, but out of clay a rose may rise alive and blooming, set on the roots of elder roses. There is a difference, but it does not matter."

"Nothing matters except Virginio," said Rosalba, softly.

Even as the chevalier drove sharp nails into his palms and bit his lip until he tasted blood, even as Peter Innocent bowed his lovely silver brow in sorrowful acquiescence, Virginio en

tered quietly and sadly, like the softer echo of Rosalba's sad and quiet voice.

None who looked upon him then wondered afterward at the fabulous chivalry of the girl's devotion; the lovers looked into each other's eyes, and their eyes were tender, pitiful, and afraid. Virginio wore a quality of pure translucent beauty, unwarmed by earth, the beauty of an element like sea or air, or that refined and rarefied sunlight mirrored by the moon. He wore this beauty meekly, and with a slight and delicate timidity he approached his wife and folded her within his arms. Felicity hovered above their bending heads, flying nearer, yet never alighting, the wings of felicity were so nearly visible that to Carlo Gozzi they appeared feathered like those of the pigeons of Saint Mark, and to Peter Innocent like the Holy Ghost itself, in the shape of a silver dove.

Furthermore, to Peter Innocent, whose mind was a missal book of sacred images, Virginio figured as the young John Baptist, wandering immaculate in the desert, and Rosalba as a small golden lioness, of equal virtue and simplicity, but pagan and untamable and shy.

So, like a pair of legendary children, they came to the cardinal where he sat musing by the fire, and, moved by one impulse, sank upon their knees before him and inclined their bright locks to his blessing. The flaxen and the darkly burnished head bent side by side beneath his hand, and Peter Innocent's musings were made audible as prayer, and in the silence smoke rose like incense from the crumbling cedar logs, ascending through the chimney to the frosty night, and thence perhaps, to heaven.

Pâte Tendre

"If you were hard paste, we should have to send you to Meissen," said the chevalier, smiling and alert in an elegant new traveling-cloak of bottlegreen broadcloth. The midday sun lay yellow along a vast map spread upon the writing-desk, and although it was November, the windows stood open to sweet and jocund breezes. An atmosphere of nervous gaiety pervaded the study; a strapped portmanteau and a Florentine dressing-case occupied the settee, and seven large bandboxes were piled in a corner.

Upon the mantelpiece two crystal vases exhaled a mist of jasmine, and between these were set a number of china figurines of exquisite workmanship. A fantastic bellarmine grimaced at a Bow cupid, and a delicious Chelsea group of the four seasons, modeled by Roubiliac, and glowing with every floral tint, contrasted curiously with a fine white Derby biscuit statuette of Queen Charlotte and her children.

"Yes, Meissen for hard paste," repeated Chastelneuf, cheerfully, "and from that grim fortress you might come forth with a rosy Saxon complexion and no sensibilities whatever."

"And no freckles?" asked Rosalba, with a pardonable feminine eagerness. "No, my love; you would be as pink as a sugar-plum and as smooth as whipped cream. However, Meissen is far too Germanic for your peculiar mentality, and you could never survive its furnaces. It must be either Sèvres or Marseilles, since Hannong of Strasburg has been dead these two years, and you are averse to visiting England."

"I cannot forget that I am a French

woman." Rosalba spoke with a faint trace of hauteur, gazing rather wistfully at the Chelsea figure of Spring, attired in a vernal dress of apple green and pearl color.

"I should like to see you in white Marseilles faience," said the chevalier. "I once beheld a shepherdess in biscuit-porcelain, made in the factory of the Duc de Villeroy at Mennecy, which was almost worthy of you. Nevertheless, I believe we shall be wise in selecting Sèvres. It was the scene of the Brothers Dubois's amazing discovery; they were subsequently dismissed for drunkenness and the practice of venomous magic. They came to me with letters from the Prince of Courland, whom they had greatly assisted in the search for the philosopher's stone. I was able to resolve the slight difficulties they had encountered by means of my infallible compound of Hungarian crystal and native cinnabar. Overcome with gratitude, they presented me with the secret recipe associated with their name. Since then I have ever been in a position to turn ladies into porcelain, but I have not often availed myself of the opportunity; the process is opposed to my principles and natural proclivities."

"Dear Chevalier, I am quite familiar with your sentiments," murmured Rosalba, sympathetically and a little shyly. "But you will surely not refuse to aid me, upon this occasion, in my search for happiness. I have understood you to say, have I not, that you are capable of complete and singlehanded success in the absence of the Brothers Dubois?"

"But yes, and fortunately, since the Brothers Dubois are at present inaccessibly situated in purgatory or some

even less salubrious region," Chastelneuf assured her. "I need no help in the matter, save that of such skilled workmen as are to be found in any porcelain factory, augmented by those supernatural agencies which I must not scruple to employ."

"I am glad it is to be Sèvres, when all is said and done." Rosalba gazed reflectively into a tortoise-shell mirror, comparing her image therein with the countenance of an enchanting china figure, sculptured by Clodion in the classic taste, which the chevalier, bowing, presented to her view, poised daintily upon the palm of his hand.

"Oh, it is undoubtedly your genre!” cried Chastelneuf with enthusiasm, touching the girl's pale cheek with a respectfully tentative forefinger. "The true Sèvres, the soft paste of the old régime, not this stony stuff they have derived from the Germans. You are the finest porcelaine de France; I know the ingredients." And he began to chant a medley of words, in which Rosalba was at some pains to distinguish syllables analogous to "Fontainebleau sand-pure sea salt-Aliante alum-and powdered alabaster." Certainly the chevalier was a gentleman of various and esoteric learning, whose knowledge of humanity was both profound and nice. Rosalba resigned her will to his, and faced the future with mingled fortitude and acute curiosity.

"It is decided, then, that the cardinal accompany us, while Virginio remains with Querini and Carlo Gozzi, perfecting himself in the study of Greek, Latin, Arabic, and antique Spanish. He will thus be enabled to compare philosophies with fairy-tales, and to contemplate life with the stoicism of the one and the insouciance of the other. I have also suggested that

he become proficient upon the flute and engage a really good fencing-master," said the chevalier, divesting himself of his traveling-cloak and taking a pinch of snuff.

"We depart in an hour's time," he continued lightly, consulting a sumptuous jeweled watch, "and you will doubtless prefer to make your adieus to Virginio unattended by the most affectionate friend. I withdraw, therefore, but shall await you, with restrained impatience, in the adjoining apartment. I am sure we shall have no cause to regret our decision in the matter of factories." His smile contrived a positive frivolity, and Rosalba experienced a thrill of gratitude.

"The cardinal makes me feel that I am setting forth upon a penitential pilgrimage," she said plaintively. "You are less alarming; you allow it to remain a mere affair of millinery. I could almost believe that we were going to Paris to select a costume for the carnival."

"But that, in a way, is true enough, my child," cried Chastelneuf, retiring. As he went, he coughed thrice behind a fine lace handkerchief, and wiped his eyes.

Presently Virginio knocked gently upon the door, and entered like a cloud of cooler air.

"Virginio-" "My dear-" "Good-by."

They embraced; bright glassy tears fell upon Rosalba's breast, and upon Virginio's cold hands Rosalba's tears fell quick and glittering as sunshower drops, and warm almost as the kisses wherewith they were mingled.

The great door closed at last between the lovers, leaving no sound; its painted panels confronted them severally with Pan's cruel nonchalance and Medusa's uncomfortable stare.

Virginio examined his finger-nails; they were quite uninjured, but the least finger of his left hand appeared to have suffered a slight sprain.

Rosalba, drawing on her white suède gloves, observed without surprise that both her wrists were faintly flecked with blood, as though a bracelet of thorns had lately clasped them.

Ordeal by Fire

Through a landscape lightly strewn with snow, and rendered graciously austere by long, converging lines of leafless poplars, the three strange travelers approached the neighborhood of Paris.

The chevalier's English carriage was commodious and softly cushioned, and the discomforts of the journey had

"Adieu, Virginio, my darling," whis- been negligible; nevertheless a ponderpered Rosalba.

"Adieu, adieu, my heart's beloved," the boy replied. Their voices were too low for audible trembling, but their hands, clinging together in the final instant, shook like thin white petals in a hurricane.

"Virginio, good-by." "Good-by, Rosalba." "I am going."

"I know; good-by, my love."

able sadness was bound upon the shoulders of the adventurers, as if indeed they carried ambiguous packs too heavy for their spirits. Their chins were sunk against their breasts, and even Chastelneuf strove quite in vain to dissipate this burden by companionable chatter.

"Paris must wait," he observed to Rosalba. "Afterward, when our affair is concluded, it will be time to think of

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