Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 53Gale Research Company, 1984 |
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Page 40
... tion ( miscere = to mix and genus = kind , sort , type ) . Mu- latto , on the other hand , originates in the Latin word mu- lus , which describes the offspring born of an ass and a mare . Even so , mulatto's semantic genealogy includes ...
... tion ( miscere = to mix and genus = kind , sort , type ) . Mu- latto , on the other hand , originates in the Latin word mu- lus , which describes the offspring born of an ass and a mare . Even so , mulatto's semantic genealogy includes ...
Page 233
... tion , rather popular among nineteenth- and early twentieth- century critics , including Charles Lamb and A. C. Bradley , has sparked numerous responses among modern critics who maintain emphatically that race is the essential ele- ment ...
... tion , rather popular among nineteenth- and early twentieth- century critics , including Charles Lamb and A. C. Bradley , has sparked numerous responses among modern critics who maintain emphatically that race is the essential ele- ment ...
Page 236
... tion to the harshly realistic conclusion , ' Othello's occupa- tion's gone ' . This moment reduced Kean's audiences to tears ; it was a part of Othello's experience which Kean , with his precarious and uneven career , was well able to ...
... tion to the harshly realistic conclusion , ' Othello's occupa- tion's gone ' . This moment reduced Kean's audiences to tears ; it was a part of Othello's experience which Kean , with his precarious and uneven career , was well able to ...
Contents
Race in Shakespeares Works | 1 |
Othello | 233 |
Language and Imagery | 333 |
Copyright | |
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Aaron African Antonio Antony and Cleopatra argues audience Bassanio becomes blessing Brabantio Caliban Cambridge carnal Cassio century character Christian Cleopatra colonial color comedy context critics cultural dark daughter Desdemona devil difference discourse discussion early modern economic edition Elizabethan Emilia England English essay European father figure gender human Iago Iago's identity ideology imagination Indian Irish Jacob Jessica Jewish John Kim F lago language Launcelot literary London Lorenzo male marriage means Merchant of Venice Midsummer Night's Dream Miranda miscegenation Moor murder narrative native Oberon Old Gobbo Othello Oxford play's political Portia possession prodigal Prospero race racial racism reading reference Renaissance representation role Roman scene seems sense sexual Shakespeare Quarterly Shakespeare's play Shylock slave social speech suggests symbolic Tempest thou tion Titus Titus Andronicus tradition tragedy University Press usurer usury Venetian William Shakespeare woman women words York