The Art of the Critic: Middle twentieth centuryHarold Bloom Chelsea House, 1989 - Criticism |
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Page 267
... practice is the motive force behind the new aims to which psychoanalytical theory is being opened up is consequently well - founded . If we look at the situation a little more closely , we can see that the prob- lems of symbolic ...
... practice is the motive force behind the new aims to which psychoanalytical theory is being opened up is consequently well - founded . If we look at the situation a little more closely , we can see that the prob- lems of symbolic ...
Page 386
... practice of his art ; and at least once when Freud speaks of art dealing with reality he actually means the rewards that a successful artist can win . He does not deny to art its function and its usefulness ; it has a therapeutic effect ...
... practice of his art ; and at least once when Freud speaks of art dealing with reality he actually means the rewards that a successful artist can win . He does not deny to art its function and its usefulness ; it has a therapeutic effect ...
Page 511
... practice . We have no confidence in absolutes of any kind ; we know too much about our- selves to rest happily in subjective judgments . We try , therefore , to be more objective , more " scientific " -and in practice we usually content ...
... practice . We have no confidence in absolutes of any kind ; we know too much about our- selves to rest happily in subjective judgments . We try , therefore , to be more objective , more " scientific " -and in practice we usually content ...
Contents
John Crowe Ransom | 3 |
Edmund Wilson 23 | 23 |
F R Leavis 51 | 51 |
Copyright | |
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action actually appears artist become beginning believe better called character communication concerned consciousness consider course criticism culture deal death effect element Eliot emotion English essay example existence experience expression fact feel follows force Freud function gesture give Hamlet hand human idea images imagination important individual interest James kind language later less literary literature living matter meaning merely mind moral nature never novel object once original particular perhaps play poem poet poetic poetry position possible practice present Press principle problem pure question reader reality reason relation remains seems sense simply social society speak story structure suggests symbolic theory thing thought tradition tragedy true truth turn understand University whole woman writing