The Art of the Critic: Middle twentieth century

action actually appears artist become beginning believe better called character communication concerned consciousness consider course criticism culture deal death effect element Eliot emotion English essay example existence experience expression fact feel follows force Freud function gesture give Hamlet hand human idea images imagination important individual interest James kind language later less literary literature living matter meaning merely mind moral nature never novel object once original particular perhaps play poem poet poetic poetry position possible practice present Press principle problem pure question reader reality reason relation remains seems sense simply social society speak story structure suggests symbolic theory thing thought tradition tragedy true truth turn understand University whole woman writing