Eliot's Dark Angel: Intersections of Life and ArtSchuchard's critical study draws upon previously unpublished and uncollected materials in showing how Eliot's personal voice works through the sordid, the bawdy, the blasphemous, and the horrific to create a unique moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development, showing how early and consistently his classical and religious sensibility manifests itself in his poetry and criticism. The book examines his reading, his teaching, his bawdy poems, and his life-long attraction to music halls and other modes of popular culture to show the complex relation between intellectual biography and art. |
From inside the book
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Page 9
... nature " without love or fear / For a little while . " As the poet's lascivious imagination is the source of his spiri- tual frustration , he finally aborts the poem itself as a further profanation of the soul , as yet another of his ...
... nature " without love or fear / For a little while . " As the poet's lascivious imagination is the source of his spiri- tual frustration , he finally aborts the poem itself as a further profanation of the soul , as yet another of his ...
Page 15
... Nature of Poetry ( 1933 ) , where he admits that much of his poetry was written in ill health and that the process had been " agitating and exhausting . " Declaring that the production of poetry " is less an active than a passive and in ...
... Nature of Poetry ( 1933 ) , where he admits that much of his poetry was written in ill health and that the process had been " agitating and exhausting . " Declaring that the production of poetry " is less an active than a passive and in ...
Page 16
... nature is wanted — of the quality of Mr. Housman's poetry . ( Cr 12 : 154 ) Eliot found confirmation in Housman of what he had written in his Norton Lectures , The Use of Poetry and the Use of Criticism , several months earlier that ...
... nature is wanted — of the quality of Mr. Housman's poetry . ( Cr 12 : 154 ) Eliot found confirmation in Housman of what he had written in his Norton Lectures , The Use of Poetry and the Use of Criticism , several months earlier that ...
Page 17
... natural way of writing verse seems to require a long period of germination for each poem , before I address myself to the machine , I have been afraid that I have been overproducing , and at last trying to make poetry out of unseasoned ...
... natural way of writing verse seems to require a long period of germination for each poem , before I address myself to the machine , I have been afraid that I have been overproducing , and at last trying to make poetry out of unseasoned ...
Page 18
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Contents
3 | |
In the Lecture Halls | 25 |
Hulme of Original Sin | 52 |
Our mad poetics to confute Laforgue and the Personal Voice | 70 |
The Savage Comedian | 87 |
In the Music Halls | 102 |
Illustrations | 108 |
The Horrific Moment | 119 |
FirstRate Blasphemy | 131 |
All Aboard for Natchez Cairo and St Louis The Journey of the Exile in AshWednesday | 148 |
The Ignatian Interlude | 162 |
If I think again of this place The Way to Little Gidding | 175 |
American Publishers and the Transmission of T S Eliots Prose | 198 |
Notes | 217 |
Index | 257 |
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Common terms and phrases
American edition appeared Arnold Ash-Wednesday attitude audience ballet Baudelaire Baudelaire's Bertrand Russell blasphemy Christian classical comedian comic contemporary CWTEH Dante dark angel death divine Donne Eliot wrote Eliot's critical Elizabethan emotional English edition epigraph experience Ezra Pound Faber and Faber feeling Four Quartets French George Harcourt Brace Harvard Herbert horror Hulme's human Ignatius intellectual Jesuit John Jonson Laforgue Laforgue's Laforguean Lancelot Andrewes later letter literary literature Little Gidding London Marie Lloyd Marlowe Massine metaphysical metaphysical poetry mind modern moral music halls music-hall mysticism Nellie Wallace Oxford philosophy play poem poet poet's poetic drama poetry prayer Press prose Prufrock published quoted Read religious romantic romanticism Russell Russell's Sacred Wood says Eliot Selected Essays sense sensibility sexual Shakespeare song soul Sweeney Agonistes T. E. Hulme T. S. Eliot theory tion University Valerie Eliot verse vision Vivien voice Waste Land writing Yeats
Popular passages
Page 242 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream: The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 193 - And all shall be well and All manner of thing shall be well When the tongues of flame are in-folded Into the crowned knot of fire And the fire and the rose are one.
Page 178 - Ferrar, and tell him he shall find in it a picture of the many spiritual conflicts that have passed betwixt God and my soul, before I could subject mine to the will of Jesus my Master, in whose service I have now found perfect freedom ; desire him to read it, and then, if he can think it may turn to the advantage of any dejected poor soul, let it be made public - if not, let him burn it ; for I and it are less than the least of God's mercies.
Page 184 - WHITSUNDAY. LISTEN, sweet Dove, unto my song, And spread thy golden wings in me ; Hatching my tender heart so long, Till it get wing, and fly away with thee.
Page 5 - The Dark Angel Dark Angel, with thine aching lust To rid the world of penitence: Malicious Angel, who still dost My soul such subtile violence! Because of thee, no thought, no thing, Abides for me undesecrate: Dark Angel, ever on the wing, Who never reachest me too late! When music sounds, then changest thou Its silvery to a sultry fire: Nor will thine envious heart allow Delight untortured by desire. Through thee, the gracious...
Page 17 - He is oppressed by a burden which he must bring to birth in order to obtain relief. Or, to change the figure of speech, he is haunted by a demon, a demon against which he feels powerless, because in its first manifestation it has no face, no name, nothing; and the words, (he |юет he makes, are a kind of form of exorcism of this demon.
Page 15 - I said to my soul, be still, and let the dark come upon you Which shall be the darkness of God.
Page 143 - Genuine blasphemy, genuine in spirit and not purely verbal, is the product of partial belief, and is as impossible to the complete atheist as to the perfect Christian.