Eliot's Dark Angel: Intersections of Life and ArtSchuchard's critical study draws upon previously unpublished and uncollected materials in showing how Eliot's personal voice works through the sordid, the bawdy, the blasphemous, and the horrific to create a unique moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development, showing how early and consistently his classical and religious sensibility manifests itself in his poetry and criticism. The book examines his reading, his teaching, his bawdy poems, and his life-long attraction to music halls and other modes of popular culture to show the complex relation between intellectual biography and art. |
From inside the book
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Page iv
... American - 20th century - Psychology . 5. Popular culture in literature . I. Title . PS3509.L43Z86352 1999 821′.912 ... America on acid - free paper FOR A. WALTON LITZ This page intentionally left blank ACKNOWLEDGMENTS.
... American - 20th century - Psychology . 5. Popular culture in literature . I. Title . PS3509.L43Z86352 1999 821′.912 ... America on acid - free paper FOR A. WALTON LITZ This page intentionally left blank ACKNOWLEDGMENTS.
Page vii
... American Literature , Beinecke Rare Book and Manuscript Library , Yale University ; the Berg Collection of English and American Literature , the New York Public Library , Astor , Lenox and Tilden Foundations ; the Brotherton Collection ...
... American Literature , Beinecke Rare Book and Manuscript Library , Yale University ; the Berg Collection of English and American Literature , the New York Public Library , Astor , Lenox and Tilden Foundations ; the Brotherton Collection ...
Page x
... Little Gidding 175 Appendix : American Publishers and the Transmission of T. S. Eliot's Prose 198 Notes 217 Index 257 Illustrations appear after page 108 ABBREVIATIONS Principal editions cited or quoted ASG CPP FLA IMH X Contents.
... Little Gidding 175 Appendix : American Publishers and the Transmission of T. S. Eliot's Prose 198 Notes 217 Index 257 Illustrations appear after page 108 ABBREVIATIONS Principal editions cited or quoted ASG CPP FLA IMH X Contents.
Page xii
... American Literature , the New York Public Library , Astor , Lenox and Tilden Foundation The Brotherton Collection , Leeds University Library The Wilson Library , University of North Carolina , Chapel Hill The Robert W. Woodruff Library ...
... American Literature , the New York Public Library , Astor , Lenox and Tilden Foundation The Brotherton Collection , Leeds University Library The Wilson Library , University of North Carolina , Chapel Hill The Robert W. Woodruff Library ...
Page 8
... who survived to my own day -- there were no American poets at all . Had they survived they might have spoken in an idiom sufficiently like my own to have made anything I had to say superfluous . They were in contact 8 Eliot's Dark Angel.
... who survived to my own day -- there were no American poets at all . Had they survived they might have spoken in an idiom sufficiently like my own to have made anything I had to say superfluous . They were in contact 8 Eliot's Dark Angel.
Contents
3 | |
In the Lecture Halls | 25 |
Hulme of Original Sin | 52 |
Our mad poetics to confute Laforgue and the Personal Voice | 70 |
The Savage Comedian | 87 |
In the Music Halls | 102 |
Illustrations | 108 |
The Horrific Moment | 119 |
FirstRate Blasphemy | 131 |
All Aboard for Natchez Cairo and St Louis The Journey of the Exile in AshWednesday | 148 |
The Ignatian Interlude | 162 |
If I think again of this place The Way to Little Gidding | 175 |
American Publishers and the Transmission of T S Eliots Prose | 198 |
Notes | 217 |
Index | 257 |
Other editions - View all
Common terms and phrases
American edition appeared Arnold Ash-Wednesday attitude audience ballet Baudelaire Baudelaire's Bertrand Russell blasphemy Christian classical comedian comic contemporary CWTEH Dante dark angel death divine Donne Eliot wrote Eliot's critical Elizabethan emotional English edition epigraph experience Ezra Pound Faber and Faber feeling Four Quartets French George Harcourt Brace Harvard Herbert horror Hulme's human Ignatius intellectual Jesuit John Jonson Laforgue Laforgue's Laforguean Lancelot Andrewes later letter literary literature Little Gidding London Marie Lloyd Marlowe Massine metaphysical metaphysical poetry mind modern moral music halls music-hall mysticism Nellie Wallace Oxford philosophy play poem poet poet's poetic drama poetry prayer Press prose Prufrock published quoted Read religious romantic romanticism Russell Russell's Sacred Wood says Eliot Selected Essays sense sensibility sexual Shakespeare song soul Sweeney Agonistes T. E. Hulme T. S. Eliot theory tion University Valerie Eliot verse vision Vivien voice Waste Land writing Yeats
Popular passages
Page 242 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream: The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 193 - And all shall be well and All manner of thing shall be well When the tongues of flame are in-folded Into the crowned knot of fire And the fire and the rose are one.
Page 178 - Ferrar, and tell him he shall find in it a picture of the many spiritual conflicts that have passed betwixt God and my soul, before I could subject mine to the will of Jesus my Master, in whose service I have now found perfect freedom ; desire him to read it, and then, if he can think it may turn to the advantage of any dejected poor soul, let it be made public - if not, let him burn it ; for I and it are less than the least of God's mercies.
Page 184 - WHITSUNDAY. LISTEN, sweet Dove, unto my song, And spread thy golden wings in me ; Hatching my tender heart so long, Till it get wing, and fly away with thee.
Page 5 - The Dark Angel Dark Angel, with thine aching lust To rid the world of penitence: Malicious Angel, who still dost My soul such subtile violence! Because of thee, no thought, no thing, Abides for me undesecrate: Dark Angel, ever on the wing, Who never reachest me too late! When music sounds, then changest thou Its silvery to a sultry fire: Nor will thine envious heart allow Delight untortured by desire. Through thee, the gracious...
Page 17 - He is oppressed by a burden which he must bring to birth in order to obtain relief. Or, to change the figure of speech, he is haunted by a demon, a demon against which he feels powerless, because in its first manifestation it has no face, no name, nothing; and the words, (he |юет he makes, are a kind of form of exorcism of this demon.
Page 15 - I said to my soul, be still, and let the dark come upon you Which shall be the darkness of God.
Page 143 - Genuine blasphemy, genuine in spirit and not purely verbal, is the product of partial belief, and is as impossible to the complete atheist as to the perfect Christian.