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minutes, there are intervals when his ear cannot detect it, because of its regular monotonous sound.

In such intervals the tympanum of the ear, aching with the dead collapse of its world, made sounds for itself; and it required the exercise of reason to convince myself, sometimes, that I did not hear distant babbling voices.

But hark! There is a sound! Not distant, but near! Here! There!

A sound like large, soft feet treading cautiously. No, not that, but-something breathing. Pshaw! I believe it was only the sound of my own respiration after all!

I did not exactly "whistle to keep my courage up," but, feeling that I must do something to assert my vitality, my antagonism to this overpowering dark, I cleared my throat vehemently, defiantly, AHEM! AHEM! AHEM!! But it sounded so incongruous, so impertinent I might say, in the midst of that awful silence! Besides, it woke such queer echoes from unexpected quarters, that I stopped to listen, and heard the water-drops again in Go

rin's Dome, whispering, "Hush! hush! hush!" And from all the gloomy chambers and tunnels came the echo, breathing, "Hush! hush! hush!"

It began to be terrifying to think that release from this hell of silence was dependent upon one man's will, and he too a man I had never seen until within a few hours. Where was he now, my dark-faced guide? What if he should not be able to find me again in the midst of this hundred miles of tunnels that look so much alike? What if he should not intend to come? What if - But, thank Heaven there he is at last! That is the firm, substantial sound of a mortal footstep; not those stealthy, phantom steps I seemed to hear before! There too is the distant glinting of the red lamplight on the sides of the cave! How long it takes him to get here! There he is at last! Blessed be his black face! how unlike the pale, phosphorescent forms I fancied just a little while ago! How foolish seem all those dreadful fancies now, so terribly real then!

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The plump peach steals the dying rose's red;

The yellow pippin ripens to its fall;

The dusty grapes, to purple fulness fed,
Droop from the garden-wall.

And yet, where rainbow foliage crowns the swamp,
I hear in dreams an April robin sing,
And memory, amid this Autumn pomp,
Strays with the ghost of Spring.

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Bayard Taylor.

BY WAYS OF EUROPE.

A VISIT TO THE BALEARIC ISLANDS.

S the steamer Mallorca slowly moved out of the harbor of Barcelona, I made a rapid inspection of the passengers gathered on deck, and found that I was the only foreigner among them. Almost without exception they were native Majorcans, returning from trips of business or pleasure to the Continent. They spoke no language except Spanish and Catalan, and held fast to all the little habits and fashions of their insular life. If anything more had been needed to show me that I was entering upon untrodden territory, it was supplied by the joyous surprise of the steward when I gave him a fee. This fact reconciled me to my isolation on board, and its attendant awkwardness.

I knew not why I should have chosen to visit the Balearic Islands, unless for the simple reason that they lie so much aside from the highways of travel, and are not represented in the journals and sketch-books of tourists. If any one had asked me what I expected to see, I should have been obliged to confess my ignorance; for the few dry geographical details which I possessed were like the chemical analysis of a liquor wherefrom no one can reconstruct the taste. The flavor of a land is a thing quite apart from its statistics. There is no special guide-book for the islands, and the slight notices in the works on Spain only betray the haste of the authors to get over a field with which they are unacquainted. But this very circumstance, for me, had grown into a fascination. One gets tired of studying the bill of fare in advance of the repast. When the sun and the Spanish coast had set together behind the placid sea, I went to my berth with the delightful certainty that the sun of the morrow, and of many

I.

days thereafter, would rise upon scenes and adventures which could not be anticipated.

The distance from Barcelona to Palma is about a hundred and forty miles; so the morning found us skirting the southwestern extremity of Majorca, a barren coast, thrusting low headlands of gray rock into the sea, and hills covered with parched and stunted chaparral in the rear. The twelfth century, in the shape of a crumbling Moorish watch-tower, alone greeted us. As we advanced eastward into the Bay of Palma, however, the wild shrubbery melted into plantations of olive, solitary houses of fishermen nestled in the coves, and finally a village, of those soft ochre-tints which are a little brighter than the soil, appeared on the slope of a hill. In front, through the pale morning mist which still lay upon the sea, I saw the cathedral of Palma, looming grand and large beside the towers of other churches, and presently, gliding past a mile or two of country villas and gardens, we entered the crowded harbor.

Inside the mole there was a multi

tude of the light craft of the Mediterranean, -xebecs, feluccas, speronaras, or however they may be termed, — with here and there a brigantine which had come from beyond the Pillars of Hercules. Our steamer drew into her berth beside the quay, and after a very deliberate review by the port physician we were allowed to land. I found a porter, Arab in everything but costume, and followed him through the water-gate into the half-awake city. My destination was the Inn of the Four Nations, where I was cordially received, and afterwards roundly swindled, by a French host. My first demand was for a native attendant, not so much from any need of guide as simply to become

more familiar with the people through him; but I was told that no such serviceable spirit was to be had in the place. Strangers are so rare that a class of people who live upon them has not yet been created.

"But how shall I find the Palace of the Government, or the monastery of San Domingo, or anything else?" I asked.

“O, we will give you directions, so that you cannot miss them," said the host; but he laid before me such a confusion of right turnings and left turnings, ups and downs, that I became speedily bewildered, and set forth, determined to let the "spirit in my feet" guide me. A labyrinthine place is Palma, and my first walks through the city were so many games of chance. The streets are very narrow, changing their direction, it seemed to me, at every tenth step; and whatever landmark one may select at the start is soon shut from view by the high, dark houses. At first, I was quite astray, but little by little I regained the lost points of the compass.

After having had the Phoenicians, Greeks, Carthaginians, Romans, Vandals, and Saracens as masters, Majorca was first made Spanish by King Jaime of Aragon, the Conquistador, in the year 1235. For a century after the conquest it was an independent kingdom, and one of its kings was slain by the English bowmen at the battle of Crecy. The Spanish element has absorbed, but not yet entirely obliterated, the characteristics of the earlier races who inhabited the island. Were ethnology a more positively developed science, we might divide and classify this confused inheritance of character; as it is, we vaguely feel the presence of something quaint, antique, and unusual, in walking the streets of Palma, and mingling with the inhabitants. The traces of Moorish occupation are still noticeable everywhere. Although the Saracenic architecture no longer exists in its original forms, its details may be detected in portals, court-yards, and balconies, in almost every street.

The conquerors endeavored to remodel the city, but in doing so they preserved the very spirit which they sought to destroy.

My wanderings, after all, were not wholly undirected. I found an intelligent guide, who was at the same time an old acquaintance. The whirligig of time brings about, not merely its revenges, but also its compensations and coincidences. Twenty-two years ago, when I was studying German as a boy in the old city of Frankfort, guests from the South of France came to visit the amiable family with whom I was residing. There were M. Laurens, a painter and a musical enthusiast, his wife, and Mademoiselle Rosalba, a daughter as fair as her name. Never shall I forget the curious letter which the artist wrote to the manager of the theatre, requesting that Beethoven's Fidelio might be given (and it was!) for his own especial benefit, nor the triumphant air with which he came to us one day, saying, "I have something of most precious," and brought forth, out of a dozen protecting envelopes, a single gray hair from Beethoven's head. Nor shall I forget how Madame Laurens taught us French plays, and how the fair Rosalba declaimed André Chénier to redeem her pawns; but I might have forgotten all these things, had it not been for an old volume* which turned up at need, and which gave me information, at once clear, precise, and attractive, concerning the streets and edifices of Palma. The round, solid head, earnest eyes, and abstracted air of the painter came forth distinct from the limbo of things overlaid but never lost, and went with me through the checkered blaze and gloom of the city.

The monastery of San Domingo, which was the head-quarters of the Inquisition, was spared by the progressive government of Mendizabal, but destroyed by the people. Its ruins must have been the most picturesque sight of Palma; but since the visit of M. Laurens * Souvenirs d'un Voyage d'Art à l'Isle de Majorque. Par J.-B. Laurens.

rests upon a gigantic bier about ten feet high, and a little longer than the coffin, and the effect is as though some kingly son of Anak were lying in state in this huge sepulchral vault.

Near at hand is a cluster of objects, not carved out by the accidents of time or the long attrition of subterranean rivers, as is the case with almost everything else in the cave, but shaped by human hands into a mournful resemblance to cottages; the likeness being all the more pathetic when one learns the fact that for many months a number of benighted human beings made their home here, under the delusion that the air of the cave, which is chemically pure and dry, would cure their pulmonary diseases; and that here, like plants shut out from the generous, fostering sun, they paled and died.

The appearance of those who came out after two or three months' residence in the cave is described as frightful. "Their faces," says one who saw them, "were entirely bloodless, eyes sunken, and pupils dilated to such a degree that the iris ceased to be visible; so that, no matter what the original color of the eye might have been, it appeared entirely black."

These cottages, if by a great stretch of courtesy I may call them such, are very small, consisting each of but one room about ten feet square; they had been built of stones collected in the cave, and laid loosely in the wall without mortar; they had fireplaces and chimneys, good wooden floors, and doors, but no windows, as there was neither light to let in nor prospect to view without. As there was neither rain nor snow fall, neither midday heat nor dew of night, beneath that stony cope, roofs also were useless; so that the structures were only cells that strongly reminded one of sepulchres. I can conceive of nothing more melancholy than the existence of the seven or eight consumptives, who I am told occupied these ante mortem tombs at one time about fifteen years ago. Three died there, and every one of the others who had resided in the cave for a pe

riod of two months died within two or three weeks after coming out.

Near to these monuments of ignorance and despair, I noticed a monument of another sort, and of later date,

a tribute to one of the most gallant and genial of men, in whom it was fully demonstrated that "the bravest are the tenderest." It was a pyramidal pile, about eight feet high, of carefully selected stones, laid without mortar, but with mathematical precision; and on one stone near the top was scratched a name dear to every soldier's heart, "McPherson."

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The cells where the living died, and this pile which tells how the memory of the dead yet lives, are the last objects on our route that have any association with the things of this outer world; these are the pillars that mark the beginning of a realm devoid of human association, its Pillars of Hercules, beyond which is a silent waste whose darkness breeds the wildest mysteries.

Walking continuously through the gloom, one loses to some extent the idea of progression. Here he can get no look ahead, no backward view. He is the centre of a little circle of light, beyond which is immeasurable darkness, whence objects seem to come to him like apparitions, changing form as the first and last rays of light fall upon them, as though the shape in which they appear under the full light of the lamp were only some disguise of assumed innocence, which they cast off as they glide silently into the dark again, to take on some semblance too awful for mortal eyes. Farther and farther we went along these arched, cryptlike ways; passing frequently through lofty chambers where the roof could not be discovered, each with some fanciful and often inappropriate name assigned to it, until we came at length to what looked like a window in the side wall of the cave. Peering through this, and holding my lamp high over my head, I could see neither roof nor sides nor bottom, only the wall in which was the window through which

I looked. Upward it was lost in the darkness, and from my breast it descended, perpendicular as a plummet line, until it vanished in the gulf below, from which arose a sound of dripping water. This, my guide informed me, was "Gorin's Dome." Taking then from his haversack a Bengal light, he ignited it and threw it into the dark void. The sulphurous light shot up and up into a dome unlike anything built by human hands, unless it might be the interior of some tremendous tower, eighty feet in width, and nearly two hundred in height, which the beholder viewed from without, looking inwards through a window placed at two thirds of the entire height from the bottom.

The inaccessible floor of this place is nearly level, and the walls strictly perpendicular from base to summit; the whole cavern having been hollowed out by the constant dripping of water holding carbonic acid in solution, which cuts the rock as ordinary water channels the ice of a glacier or the mural face of an iceberg into a semblance of columns, and sometimes into the folds of an immense curtain.

The brief light fell upon the distant floor; flashed up once, bringing into strong relief every salient angle in the wonderful walls, and then died out; the awful prospect vanishing like a nightmare vision, and leaving nothing to the sense but the sound of the water dripping into the depths below. The light had burned only half a minute; but so strange was the scene, that this glimpse sufficed to photograph it indelibly in my memory.

Gorin's Dome is not the largest of this class of sub-cavities in the cave, being smaller than Mammoth Dome; but it is the first of its class that the tourist sees, and it is viewed from so singular a stand-point that it makes the most startling impression.

Five minutes' farther walk brought us to a wooden footbridge,- - a narrow, shaky contrivance, with a treacherous footing and a slender hand-rail. Here the bottom of the cave seemed to have VOL. XX. NO. 122. 43

dropped out, and the roof to have gone in search of it; and but for the dim glimpse of the rock on the other side one might have suspected that this bridge would launch him into that ungeographical locality called, in the old Norse mythology, "Ginnunga Gap,” — a place where there was neither side, edge, nor bottom to anything.

The vault overhead is called "Minerva's Dome"; the gulf below is called the "Side-Saddle Pit," though I failed to discover any degree of appropriateness in the odd name.

Standing in the middle of the bridge, my guide flung one of his Bengal lights far upward, in the midst of the slow - falling drops that had already carved out this tremendous well and were still making it larger. The light turned them for an instant into a shower of diamonds; then down it fell, down, down! As in its descent it passed the bridge on which we stood, the shadows of our two figures rushed up the opposite wall, like a pair of demons scared out of their abode by the hissing flame; and Nick, the guide, as he leaned over, looking downward after it, every one of the innumerable wrinkles in his black face made more distinct, with his white beard and mustache, and the whites of his eyes seeming to glow in the blue elfish light, - was a caricature, half grotesque, almost terrible, of Satan himself.

Minerva's Dome and Side-Saddle Pit, both being one place and formed by the same dripping water, correspond to Gorin's Dome and the pit beneath it; that part which has been hollowed out above the roof of the cave being called the dome, and the part below the floor of the cave the pit. The only difference between the two is that in the case of Gorin's Dome the dripping waters have bored their huge shaft on one side of the track of the cave, only just piercing the wall of it in one spot, to make the window through which it is viewed; while in the case of the Side-Saddle Pit the vertical shaft cuts directly across the track of the cave, or, to speak more correctly,

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