Many of them continued to reject the report with indignation, and almost with tears in their eyes, protested their ability to whip the enemy yet.

Some supposed there was only a truce for the purpose of removing the wounded who lay between the hostile lines.

At this moment it was observed that the enemy was advancing once more in our front, and we were just discussing the propriety of opening fire again, when about half a dozen of them came riding in on our left rear, who assured us positively that our generals were prisoners themselves and had surrendered their forces. After a short altercation we were compelled to accept this statement as true. It is probable that this was the last portion of the line to give up the contest.

It was now a little after sunset, and by the time the prisoners were gathered together near General Custer's headquarters night had set in.

The men were much depressed, but consoled themselves with the consciousness of having made a good fight.

Our two divisions did not number more than 4,000 in line, while against us had been the Cavalry Corps and the Sixth and Second Infantry Corps, which, during our stubborn resistance, successively came up.

And when we surrendered, the Fifth Corps had also reached the field, and so my captors informed me-was just preparing with their artillery to sweep us from the ground.

We must have been surrounded by not less than 40,000 men, and although, of course, but a portion of these were actually engaged, yet we were only overwhelmed by superior numbers.

Our loss was heavy, but cannot be correctly estimated. That of the enemy was confessed to be very large. Generals Sheridan and Custer stated that about a thousand cavalrymen were killed or wounded, and I was informed General Wright put the whole loss, including that inflicted by Pickett, at about 6,000. These generals and others passed the warmest encomiums upon the obstinate valor of the Confederates, and treated our higher officers with soldierlike courtesy.

The enemy were greatly astonished at the miscellaneous uniforms in our small division, and under other circumstances we would have found amusement in listening to their comments.

One of them, when the naval uniform was pointed out, dropped his jaw with an expression of perfect stupefaction and exclaimed: "Good heavens! have you gunboats way up here, too?"

This may be looked on as the last regular battle of the Army of Northern Virginia, and in it the Confederates, although at the point of physical exhaustion, conducted themselves in a manner that would have reflected honor on any troops on any former field.

[From the Charlotte Observer, June, 1903.]

CONFEDERATE CURRENCY.

Valuable Information Concerning the Notes Issued.

THE BEST COLLECTION.

North Carolina Has It, Including All Rare Specimens-Where and How the Printing was Done-Anecdotes and Reminiscences.

This State owns a complete collection of Confederate money, which is arranged according to date of issue and framed, and which attracts a great deal of attention, some of the bills being of great beauty and extremely scarce. In fact the first issue of bills has for more than thirty years been held at high figures. A number of counterfeits of Confederate money of the rarer varieties have been made. The first issue has been counterfeited at least twice.

The first issue was engraved by the National Bank Note Company, of New York, and embraces four bills, these being all dated at Montgomery, Ala., which was the first seat of government. The dates are in all cases written with ink and not printed, and all four bills are interest-bearing. The issues are of the value of $50, $100, $500, and $1,000, and the total amount was not very great. The government, upon removal to Richmond, called in these bills and destroyed or cancelled nearly all of them. The $50 may be taken as an example of all. The engraving is extremely handsome. The picture is that of three negroes at work on the farm, two with hoes, another with a basket, the background being a Southern mansion. The bill is payable twelve months after date, and the inscription says: "The Confederate States of America will pay to bearer fifty dollars, with interest at half a cent a day." The date of this bill is May 11,

1861, and it is signed by Alex. B. Clitheroe, register, and E. C. Elmore, treasurer. The body of the bill is black and green, and the figure fifty is many times repeated in circles and in bands. At the bottom of the bill are the words: "National Bank Note Company," both to right and left. The back is plain white and on it is this endorsement: "Issued July 5, 1861; Thomas K. Jackson, Captain, C. S. A.," written in red ink. On the $100 bill is a train of cars; on the $500 a rural scene, and on the $1,000 a picture of the capitol at Montgomery.

The first regular issue of bills was made at Richmond, and began with two bills engraved by the Southern Bank Note Company, of New Orleans. These are almost, if not quite, equal, both in design and execution, to those issued by the National Bank Note Company. The dates in these are not printed, but are written in, and on both the specimens shown the date is August 28, 1861. The $50 bill has in the centre two females, personifying liberty and justice, while the $100 bill has an engine and train of cars in the centre; on the right and left figures emblematic of wisdom and justice. These bills bear the name Richmond in large letters, while on the side is the name of the Southern Bank Note Company, of New Orleans.

RICHMOND PRINTS.

The other bills of the first issue at Richmond are very plain and are with one exception imitations of English bank notes. This exception is a $5 bill engraved at New Orleans by J. Manuevring, with vere large letters FIVE across its left end. The date is written with ink in this finely designed bill and is July 25, 1861. There are five bills of the issue of July 25, 1861, in imitation of English bank notes. The $5 has a female seated on bales, a sort of shield in front, bearing the figure 5, while an eagle standing with wings outspread, is to her left. The $10 has an emblematic picture of the Confederacy, represented by a female leaning on a shield which bears the first Confederate flag. She is pointing with the right hand, seemingly directing the attention of an eagle which is at her left side. At the lower left corner is Commerce, seated on bales. The $20 bears a full-rigged ship. The $50 has a medallion portrait of Washington; in the lower left hand corner being a female in whose left hand is a spear, and in whose right hand is a globe, upon which stands a dove. The $100 bill bears a picture of Ceres and Pomona, flying through the air, carrying fruits, etc., in their hands, while in the lower left

corner is a portrait of Washington. These $5 bills were all engraved by Hoyer & Ludwig, of Richmond, and are very unattractive, all being in black and white on poor paper with backs plain.

A BIG ISSUE.

The next issue of bills is a very large one, in fact by far the largest the Confederacy ever made of one date. All are dated September 2, 1861. There are no less than 27 bills, and some of these are extremely rare and of high value; in fact, worth more than their face value. It seems that these bills were let by contract to engravers at several places, and that some were engraved by the government itself at Richmond, since no engraver's name appears in several cases. There are no less than seven $5 bills, nine $10, five $20, and three $50. There is a wide variety in these, and the different engravers seem to have been given full liberty as to designs. The $2 has in the center a picture of the Confederacy, represented by a female striking down Columbia and her eagle, the design being very plain. The engraver was J. T. Paterson, of Columbia. The $5 bills are as follows: $5, female seated in center, with a caduceous in her hand, and in the background a train of cars and vessel, to the lower left a gayly dressed sailor leaning on a capstan; engraver, J. T. Paterson. $5, portrait of Secretary Memminger in center, with figure of Minerva on right, no engraver's name. $5, the same bill as the one preceding, but printed in green instead of black; no engraver's name. $5, sailor in center, seated by cotton bales, portrait of Memminger in one corner, and in other two females, one holding the scales of justice, while the other holds the figure 5; engraved by B. Duncan, of Columbia. $5, has the word five and "V" in bright red, with a picture of a machinist with sledge hammer on shoulder, seated in the center, and with a picture of a very pretty girl on the left; engraved by Leggett, Keatinge & Ball, Richmond. $5, several negroes loading cotton on a river bank, while an Indian princess looks at the scene from a bluff; engraved by Hoyer & Ludwig, Richmond. $5. five females, seated in center, with the figure 5 in their midst; the statue of Chief-Justice Marshall on the right, and that of liberty on the left; a beautiful bill; engraved by the Southern Bank Note Company, of New Orleans.

TEN DOLLAR BILLS.

The issue of the $10 bills are as follows: $10, female in center, leaning on shield, bearing a Confederate flag of the first design (this

is almost exactly like a part of the $10 bill of the issue of July 25, 1861); engraved by Hoyer & Ludwig. $10, woman in center, leaning on an anchor, with portrait of Memminger on left; engraved by Keatinge & Ball, Columbia. $10, portrait of Tombs in one corner, and an infant in the other, nearly all in red, with the figure 10 many times repeated; engraved by J. P. Paterson. $10, in center, two females, with an urn between them, design very plain and unattractive; engraved by Paterson. $10, two negroes driving a load of cotton, while another, walking, carries two baskets of cotton, in one corner a picture of Tombs, and in another a youth with an armful of cornstalks; engraved by Leggett, Keatinge & Ball, Richmond. $10, group of Indians, seated; on right and left sides agriculture and commerce, typified by females; engraved by Southern Bank Note Company, and an extremely handsome bill. $10, portrait of R. M. T. Hunter, with figure 10 and "X" in bright red. $10, in center a picture of General Francis Marion, entertaining the British officer at the famous sweet potato dinner at the former's camp; no engraver's name appears. $10, negroes picking cotton, the engraving being so rude that the cotton looks like a mass of knobs on a stump; engraved by B. Duncan.

TWENTY DOLLAR BILLS.

The following are the designs of the $20 bills: $20, commerce seated in the center; in one corner Minerva with her spear and shield bearing the Gorgon's head, and in the other corner a blacksmith; no engraver's name appearing; but the bill is marked by three red $20's. $20, a full-rigged ship in the center and a sailor in the corner, very plain and poor design; no engraver's name appearing, but the bill is marked by three red 20's. $20, a full-rigged ship in the center and a sailor in the corner; very plain and poor design; no engraver's name. $20, three females representing agriculture, commerce and manufacturers in center, with liberty, bearing a spear and cap, and also wearing a cap standing on left; no engraver's name. $20, head of Alexander Stephens, Vice-President of the Confederacy, against a background of various products, the bill being nearly all in green and handsome; engraved by Keatinge & Ball, Columbia. $20, female seated back of the figure 20, and between a bee hive and an impossible looking infant, the woman carrying in one hand. roses, and in the other a caduceus; to the left a very bad picture of Alexander Stephens, and on the right a delightfully absurd female,